BABA & MASTAN

Meher Baba with his dog, Mastan from an old black & white photo. I invented the background trees and foliage color. This was done a few years ago, but I thought I would post it in honor of Baba's birthday- Feb. 25, 1894.

Gouache on paper matted and framed.

Contact Lisa for price.

SEA RANCH CLIFFS

Overlooking the rocky Northern California coast on a summer afternoon. I'm way behind in posting paintings. This was my observation of the color of the light as the sun lowered on the horizon.

Oil on panel

9" X 12"

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FIGURE 50

A recent figure study painted with the intention to bring more color consciousness to the composition. 

Oil on canvas panel

14" X 18"

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ELLIS PARK GREY DAY

This was mostly done with a palette knife on an overcast morning. The sun was beginning to break, and so it had to be a quick study.

Oil on hardboard

6" X 8"

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SOUTHERN OREGON COAST

This was the view from the balcony of Best Western.
At sunset's last light there was such a riot of blue shadows and hot orange-pink highlights. I would have liked another go at this one.

oil on canvas board

 9" X 12"

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FIGURE 49

This is a model I have drawn and painted from life many times. I think this captured her distinctive personality better than most of my previous  paintings of her.


Oil on canvas board

14" X 18"



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YACHATS COAST

This was painted along the shore at the Central Oregon coast this summer. It was very overcast and began to drizzle. I guess that kept me from overworking things!

Oil on canvas board


8" X 10"

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FIGURE 48

 

I've been working with a palette knife more and you can get a lot more paint and color on the canvas, but its hard to control. So, I was fooling with both the knife and the brush here. I like the color and pattern in this one.

14" X 18"

 

Oil on canvas board

Contact Lisa for pricing.

PETALUMA RIVER

This was an overcast summer morning looking down over the in-coming currents. It slowly went from mostly muddy to a shallow flow of water. I was looking at aerial perspective and the effects of more or less color saturation and color temperature changes with distance.

8" X 10"

oil on canvas board
contact Lisa for pricing info.

 

WATERSHED PATH

This was a sunny summer day at Shollenberger park in Petaluma. Learning to mass areas of color together, especially in the background. 

Oil on canvas board

9" X 12"

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FIGURE 47

One of the models we regularly work with at the weekly Berkeley figure group. Color and design were in the foreground of my thoughts when painting this. I was challenged by the flood of light on her, so it was difficult to see the form in its dimensions. We have a lot of conversation with the models, and I think her expression indicates that.

11" X 14"


Oil on canvas board

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GREY DAY WATERSHED

I painted this on a very overcast June day overlooking the field of grasses at the watershed area in Petaluma. As I painted there I could see more and more color variations, maybe due to less light overall. 

Oil on canvas board

9" X 12"

for current pricing contact Lisa

FIGURE 46

She had some attitude and was wearing a 'fascinator'. That's what the head adornment was called in the 1920's, and they seem to be back again.

Oil on canvas board

11" X 14"

contact Lisa for more info.

HOUSE IN LIGHT

I've been painting, but have lapsed in my posts..
This is was done in Petaluma during my studies with Camille Prezwodek. This house was actually blue, but what I'm learning is to see and paint the color of light and the light key, not the actual local color (the color of the object). Its hard to learn, but well worth it.
Oil on canvas board
9" X 12"
contact Lisa for current price.

FIGURE 45

I was trying to get a likeness of the model, her coloring, youthful
glow and kind of a buoyant personality.


11" X 14"


Oil on canvas board

contact: lisagreenstein@gmail.com for more info.

PETALUMA PASTURE

This view of a distant house in Petaluma on a grey day was my first landscape in my study with Camille Prezwodek. I will try to post a lot of the paintings as I take this journey in learning from a master colorist how to paint light and form with color. At first it felt like learning Algebra or maybe Chinese, but gradually I'm learning how to see the color, beyond the local color. Its challenging, but so exciting and rewarding. Everything I never learned in art school!
9" X 12"
for more info contact: lisagreenstein@gail.com

'AGUA FRIA REFLECTIONS'

The early morning sky just after sunrise, reflected pink light in the Agua Fria creek.


oil on panel

8" X 10"

for more info: contact lisagreenstein@gmail.com

RUSHING AGUA FRIA

This was painted after the spring rains in the Sierra foothills. The water was rushing over the slate- colored rocks in mini-waterfalls. I tried to get the quality of the light and energy while wondering if any wild cats or bears might be watching!

Oil on board

8 X 10"

contact lisagreenstein@gmail.com for current price

RIDGE VIEW

This was a distant view in the Sierra foothills on a Spring afternoon.  I was thinking about the contrast of soft rolling hills and floating cloud with the sharp value changes of the craggy rock ridge-line. I used various shades of conte chalks from black to white on a grey primed heavy weight paper.

Conte pastel on paper

9" X 12"

contact lisagreenstein@gmail.com for current price

RED BUD TREE ON A GREY DAY

This is the same view of the red bud tree on a ridge overlooking the Sierra foot hills... painted on a very overcast day. I held my palette knife up to the view of sky, tree and land to really try to get the colors to approximate what I saw.

Oil on canvas board

11" X 14"

for current pricing contact lisagreenstein@gmail.com