RECEDING TIDE

Petaluma River overlook with industrial structures and distant highway. Working at creating  space and light.

Oil on hardboard

9" X 12"

contact: lisagreenstein@gmail.com

BAY TRAIL AFTERNOON

The late afternoon light looking across the wetlands of Meeker Slough towards Richmond on the Bay Trail.

Oil on canvas board

9" X 12"

info: lisagreenstein@gmail.com

FIGURE 67

Long limbed male nude model on a turquoise chair.

Oil on canvas board

11 X 14

contact: lisagreenstein@gmail.com

STILL LIFE/ COLOR STUDY

This is a color study done in the colorist tradition taught by Henri Hensche. In the first lay down (somewhat like an underpainting), one tries to translate the qualities of illumination by painting each shape mass a color note that indicates the color of the light or shadow.

9 X 12

Oil on canvas board

for more info: contact lisagreenstein@gmail.com

ELLIS REEDS

This is a place where we often paint during Camille's Monday class. I asked myself to choose something specific in the vast field to focus myself on. I was thinking about the design of the wetlands meeting the land, and creating the sense of space with color. This was done with a palette knife.

Oil on panel

8" X 10"

for more info contact: lisagreenstein@gmail.com

WASHINGTON STREET BRIDGE

View of a bridge over the Petaluma River into the dowtown area. This was a study of the color and atmosphere on a sunny morning when there was still a lot of moisture in the air.

9" X 12"

Oil on board

more info? contact: lisagreenstein@gmail.com

GIRL WITH A PARASOL

I was interested in getting the sense of bright  illumination and the carefree attitude of the model. I had fun with all of the stripes- great costume.

Oil on panel

8" X 10"

contact: lisagreenstein@gmail.com

MEEKER SLOUGH

View of San Francisco and the Bay from the East Bay Trail along the slough. This was in the afternoon when the Western sky starts to go golden.

9" X 12"

Oil on board

SOLD

SHERATON MARINA

I painted this from the dock in back of the Petaluma Sheraton. I was trying to simplify the scene and just try to get the sense of atmosphere and space.

9" X 12"

Oil on canvas board

contact: lisagreenstein@gmail.com

ELLIS TREES

A color study of the trees around a road and park with the Sonoma hills in the distance.

Oil on board

9" X 12"

for more information: lisagreenstein@gmail.com

FIGURE 66

A lovely pregnant reclining nude. This was a nice pre- Christmas eve subject for drawing.

Pencil on paper

11" X 14"

contact: lisagreenstein@gmail.com

FIGURE 65

A reclining nude with a colorist approach.

Oil on board

9" X 12"

for more information: lisagreenstein@gmail.com

FIGURE 64

This was a color study of the same model and pose as the previous painting (Figure 63).  I was curious to see how I would handle the same pose either as a value or color study. They look so different to me.

Oil on Canvas Board

11" X 14"

for more info contact: lisagreenstein@gmail.com

FIGURE 63

A nude study in values done in one session.

Oil on hardboard

9" X 12"

for more information contact:lisagreenstein@gmail.com

FIGURE 62

This is a young model that we have drawn and painted many times. I decided to make this a value study since we only had one session instead of the usual two.  We talked of haircuts, haircut memories and the local politics.  These life model sessions can be reminiscent of the salons of the last century.

Oil on board
9" X 12"

for purchase information: lisagreenstein@gmail.com

GREEN STRING FARM

Whenever I'm in Petaluma  I like to make a stop at the farm store on Frates Road for my produce. They use sustainable practices and volcanic rock dust in the soil. The greens are as much medicine as food. http://www.greenstringfarm.com
In this painting I was trying to differentiate the saturation of the color in the close up lettuce against the grape vine covered hills in the distant fog.

8" X 10"
Oil on canvas board

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ELLIS WATERSHED

The Monday morning class of Camille Przewodek often comes to this watershed area in Petaluma to paint. During the rainy season lots of grasses grow and as time passes the colors vary from greens and golds, to reds and purples. Observing the color there again and again is reminiscent of Monet's haystack series. This was done on a sunny morning.

Oil on canvas board

9" X 12"

contact: lisagreenstein@gmail.com

GOLDEN HOUR SEA RANCH

Another view looking up from the bluff by the ocean at the edge of sunset. I thought I understood why the impressionists may have painted with broken color. When the wind is blowing you around and you have one hand steadying the easle, you have to paint that way!

9" X 12"

Oil on hardboard

contact: lisagreenstein@gmail.com

SEARANCH BLUFF AT SUNSET

The last light as the sun sets is called the 'golden hour' by painters. There is a brief time when the light is very orange-gold and the shadows very blue-violet. There was so much information and color out there, it was a challenge to simplify what I saw, paint it quickly, and battle the wind that whipped up at sunset.

Oil on canvas board
9" X 12"
contact: lisagreenstein@gmail.com

SEA RANCH COASTAL VIEW

I painted this view from the living room window looking down at the ranch style homes along the coastline in the early morning.


Oil on hardboard

9" X 12"

contact: lisagreenstein@gmail.com